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Equality</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/boyhood-studies/4/1/bhs040105.pdf</sm:loc><sm:lastmod>2016-11-02</sm:lastmod><ifp:title>Genital Integrity and Genital Equality</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/ame/5/1/ame050103.xml</sm:loc><ifp:title>Cross-Border Networks: Labour Migration from Iran to the Arab Countries of the Persian Gulf</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/ame/5/1/ame050103.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>Cross-Border Networks: Labour Migration from Iran to the Arab Countries of the Persian Gulf</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/boyhood-studies/4/1/bhs040102.xml</sm:loc><ifp:title>&amp;quot;I Want My Boy Back!&amp;quot;: Substitute Sons and Damsels in Distress</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/boyhood-studies/4/1/bhs040102.pdf</sm:loc><sm:lastmod>2016-11-02</sm:lastmod><ifp:title>&amp;quot;I Want My Boy Back!&amp;quot;: Substitute Sons and Damsels in Distress</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/european-judaism/43/1/ej430103.xml</sm:loc><ifp:title>Yiddish Folk Music as a Marker of Identity in Post-War Germany</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220108.xml</sm:loc><ifp:title>Notes on Contributors</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220108.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>Notes on Contributors</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040111.xml</sm:loc><ifp:title>Book Reviews</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040111.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>Book Reviews</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/eca/3/1/eca030101.xml</sm:loc><ifp:title>It was a dark and stormy night...: Narration in Comics</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/eca/3/1/eca030101.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>It was a dark and stormy night...: Narration in Comics</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220105.xml</sm:loc><ifp:title>Interview with Marilyn Hacker</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220105.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>Interview with Marilyn Hacker</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/eca/3/1/eca030108.xml</sm:loc><ifp:title>Angoulême, 2010</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/eca/3/1/eca030108.pdf</sm:loc><sm:lastmod>2016-11-02</sm:lastmod><ifp:title>Angoulême, 2010</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040105.xml</sm:loc><ifp:title>Legacies of the Second World War in Croatian Cultural Memory: Women as Seen through the 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Cinema</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040108.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>The Return of Mother Russia: Representations of Women in Soviet Wartime Cinema</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220102.xml</sm:loc><ifp:title>Cleaning House: the Courtly and the Popular in The Merry Wives of Windsor</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220102.pdf</sm:loc><sm:lastmod>2016-11-02</sm:lastmod><ifp:title>Cleaning House: the Courtly and the Popular in The Merry Wives of Windsor</ifp:title></sm:url><sm:url 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xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040112.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>News and Miscellanea </ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040106.xml</sm:loc><ifp:title>Introduction</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040106.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>Introduction</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/critical-survey/22/1/cs220104.xml</sm:loc><ifp:title>Gender and Space in Tobias Smollett's The Expedition of Humphry 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xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040109.xml</sm:loc><ifp:title>'War, Women and Song': The Case of Hanka Ordonówna</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/aspasia/4/1/asp040109.pdf</sm:loc><sm:lastmod>2019-07-30</sm:lastmod><ifp:title>'War, Women and Song': The Case of Hanka Ordonówna</ifp:title></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/ame/5/1/ame050107.xml</sm:loc><ifp:title>Migrations West to East in the Times of the Ottoman Empire: The Example of a Gypsy/Roma Group in Modern Iran</ifp:title><sm:lastmod>2020-11-11</sm:lastmod></sm:url><sm:url 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Pitfalls of 'Poldering' in Bangladesh</ifp:title><sm:lastmod>2026-02-16</sm:lastmod></sm:url><sm:url xmlns:sm="http://www.sitemaps.org/schemas/sitemap/0.9"><sm:loc>https://bbks.bbks-dev.pubfactory.com/view/journals/nature-and-culture/5/1/nc050105.pdf</sm:loc><sm:lastmod>2026-02-16</sm:lastmod><ifp:title>Integration through Compartmentalization? Pitfalls of 'Poldering' in Bangladesh</ifp:title></sm:url></urlset>
